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Now that yet another person has screwed me over, the allure of working with something more impersonal has appeal. Hopefully you will see some progress here this week. Thank you. The blog continues to exist as a petrified bug in amber; the edges eaten away by deterioration and time, thus a lot of dead or changed links. Some major sites that were linking to me seem to have gone; and who can blame them. I obviously can no longer subsidize the blog of the year contest or devote time to it. Despite all of the dead links and all the cleaning up that needs doing around here, a lot of you still seem to find the site useful. I even got contacted by a guy from NPR about it, but I had to decline participating in his radio report. Thanks for your patience. Love ya all.
Hi all hope everyone is safe and healthy Ive kept this blog online as a reference - Please email me if you have any questions Jon. Friday, 7 February Update. Tuesday, 7 May Parachutes is very happy to announce the official release of our 3 albums! Best Musical news Ive had for along time. Thank you xxx. Parachutes is very happy to announce the official release of our 3 albums! We also have merch for sale on our Bandcamp page. Please check out all the links below and thank you!!! Im so excited that Rhian has recorded a new album!
About Rediscovering Lost Scores, volumes one and two With the release of these disks we answer the requests of many of you who have written over the years, and those who have sent message to our website. Here are selected tracks from most of my film score work, never available in any format until these two volumes. It was, as the cover depicts, an exercise in "Archeomusicology" to locate and check out stacks of masters and pre-master tapes, listening to hours of music which had been forgotten, and then carefully transfer many tracks to high-res digital masters. You will find a very eclectic mix of styles and musical media represented herein. There are traditional orchestral and chamber music ensembles, vocal solos and choruses, Moog synthesizers, novel one-of-a-kind devices like the Circon , and on to recent digital tools. The majority of tracks are hybrids -- blends of live with electro-acoustic media. It's impossible for such a collection of music from over three decades to emerge as a single project, aside from their distinguishing characteristic, Lost Scores.